The circus we deserve? A front row look at the organization of the annual academic conference for the Digital Humanities

dc.contributor.authorEstill, Laura
dc.contributor.authorGuiliano, Jennifer
dc.contributor.authorOrtega, Élika
dc.contributor.authorTerras, Melissa
dc.contributor.authorVerhoeven, Deb
dc.contributor.authorLayne-Worthey, Glen
dc.contributor.departmentHistory, School of Liberal Arts
dc.date.accessioned2023-09-19T16:56:59Z
dc.date.available2023-09-19T16:56:59Z
dc.date.issued2022
dc.description.abstractAcademic conferences are considered central to the dissemination of research and play a key role in the prestige systems of academia. And yet the organization of these, and the power systems they maintain, have been little discussed. What is a conference supposed to achieve? Who and what is it for? The annual Alliance of Digital Humanities Organization (ADHO)’s Digital Humanities conference is a central occasion in the digital humanities academic calendar, and, as an international, interdisciplinary, regular, long-standing, largescale event, it provides an ideal locus to consider various aspects of contemporary academic conference organization, and how this impacts the shape and definition of a scholarly field. Examining this annual event allows us to clarify ADHO’s policies and procedures to consider how they frame the digital humanities at large. This paper approaches the annual Digital Humanities conference via a Reflection-in-Action and Reflection-on-Action approach encompassing the experiences of various people formally involved in organizing the conference over the past decade. Considering the last seven years of the conference as well as its broader history, we argue that conferences are central mechanisms for agenda setting and fostering a community of digital humanities practitioners. Through analyses of the selection of Program Committees, the choosing of conference themes, the preparation of calls for papers, the peer review process, and the selection of keynotes, we contend that existing structures and processes inadequately address concerns around representation, diversity, multilingualism, and labor. Our recommendations, including aligning the conference budget with its priorities, fostering fair labor practices, and creating accountability structures will be useful to those organizing future Digital Humanities events, and conference organizers throughout academia interested in making academic conferences more inclusive, welcoming environments that encourage a plurality of voices to fully partake in academic discourse.
dc.eprint.versionFinal published version
dc.identifier.citationEstill L, Guiliano J, Ortega É, Terras M, Verhoeven D, Layne-Worthey G. The circus we deserve? A front row look at the organization of the annual academic conference for the Digital Humanities. Digital Humanities Quarterly. 2022;16(4).
dc.identifier.urihttps://hdl.handle.net/1805/35634
dc.language.isoen_US
dc.publisherThe Alliance of Digital Humanities Organizations
dc.relation.journalDigital Humanities Quarterly
dc.rightsAttribution-NoDerivatives 4.0 Internationalen
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/
dc.sourcePublisher
dc.subjectAcademic conferences
dc.subjectAlliance of Digital Humanities Organization (ADHO)’s Digital Humanities conference
dc.subjectDigital humanities practitioners
dc.subjectDigital Humanities events
dc.titleThe circus we deserve? A front row look at the organization of the annual academic conference for the Digital Humanities
dc.typeArticle
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