Department of History Works
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Item “An Act of Tardy Justice”: The Story of Women’s Suffrage in Indiana(2019) Morgan, Anita; History, School of Liberal ArtsItem Alliance for Digital Humanities Organizations Digital Humanities Conference Calls for Papers 2015-2020 Collection(2020-05-10) Alliance for Digital Humanities OrganizationsCollection of English-language calls for papers for the Annual Digital Humanities Conference sponsored by the Alliance for Digital Humanities Organizations from 2015-2020.Item American Indian Sport History(Routledge, 2021) Guiliano, JenniferSwimming, cycling, and golf were modern as were the newer sports of baseball, basketball, and American football that would rise to public attention in the nineteenth and early twentieth century. Lesser known sports as well as those with fewer professional opportunities have been overshadowed by considerations of how Natives fit into ‘the big three’. Games could demonstrate friendship between communities visiting for council or they could be used to settle disputes. Football, arguably the most well-known sport that Natives participated in, began at the Carlisle Indian Industrial School in 1893. Hopi runner Louis Tewanima would participate in both the 1908 and 1912 Olympics, garnering silver in the 1912 10,000-metre event. Women at the Fort Shaw Indian School competed in, and won, the women’s basketball tournament at the 1904 St. Louis World’s Fair. The opportunities of Native sport were further mitigated by the rampant discrimination athletes faced.Item The Anthropocene and Transdisciplinarity(2014) Kelly, Jason M.Item Anti-slavery movement, Britain(Blackwell Publishing, 2009-04-20) Kelly, Jason M.The abolition of slavery in Britain and its Atlantic empire was a protracted process that took centuries to accomplish. While historians often focus on one element of the anti-slavery movement – the abolition campaigns of the late eighteenth century – anti-slavery resistance was, in fact, a much more complex phenomenon that ranged from slave resistance to evangelical pressure to mass boycotts and petitioning. The diversity of anti-slavery resistance in the early modern period necessitates that scholars understand the end of slavery in Britain as the accomplishment of many grassroots movements rather than that of a single, monolithic organization of middling reformers. The abolition of slavery in the British Atlantic took place in three phases. The first phase, lasting roughly from the seventeenth century to the 1770s, saw the expansion of the British slave trade and the earliest, decentralized anti-slavery resistance. The second phase, from the 1770s to 1807, witnessed the rise of massive British support for the abolition of the slave trade, which many leaders believed was the first step in bringing an end to the institution of slavery. The third phase, between 1808 and 1838, brought the legal emancipation of slaves in the British Atlantic world.Item Art Academies and Art Academy Schemes in Britain and Ireland, 1600-1770(16-07-20) Kelly, Jason M.Before (and after) the establishment of the Royal Academy in London in 1768, there were numerous individuals and associations that proposed or implemented plans to create academies for the arts in Britain and Ireland. Examples can be traced to at least the early seventeenth century. To date, there is no publication that pulls together a single list of academies and/or academy schemes in seventeenth- and eighteenth- century Britain and Ireland. In the chart below, I bring together the manuscript and secondary literature to offer a timeline of schemes, proposals, recommendations, and attempts to establish academies for the arts in Britain and Ireland between 1600 and 1770.Item Art, Race, Space(Office of the Vice Chancellor for Research, 2013-04-05) Kryder-Reid, Elizabeth; Labode, Modupe; Holzman, Laura M.; Mullins, Paul R.Art, Race, Space is a collaborative research project that takes as its starting point E Pluribus Unum, a public art installation proposed for the Indianapolis Culture Trail by renowned artist Fred Wilson that was cancelled in 2011 due to controversy surrounding Wilson’s appropriation of a freed slave figure from the Soldiers and Sailors Monument. Art, Race, Space” goes beyond examining the visual legacies of racial bondage to explore how the public responses to sculptures, memorials, and archaeology reveal our society’s faultlines of race and inequality. Building on the ideas about race, class, visual culture, and democratic debate that emerge from the Indianapolis project, the faculty have designed a multifaceted program to advance scholarship and promote civic dialogue about these significant issues. The faculty members organized an interdisciplinary symposium in January, 2013. Supported by an IAHI grant, the symposium explored the complicated relationships between art, race, and civic space with presentations by Wilson, community representatives who supported and opposed the sculpture, and scholars from a variety of disciplines who examined historical and cultural contexts of the controversy that had revealed Indianapolis’ longstanding racial and class tensions. The dialogue was expanded with the presentation of historical and contemporary examples from other parts of the United States. In order to encourage public dialogue, the symposium provided opportunities for audience members and presenters to engage in conversations, and it deployed social media (Twitter and Facebook) to encourage broader participation. The project's goal is to further scholarship and encourage public conversation on race and materiality. To this end the faculty have created a website, a Facebook page, Twitter account, and are working on an open-access curriculum to support dialogue in schools and informal learning settings about the complex issues of art, race, and representation. The faculty are also collaborating on academic publications, including selected proceedings and an article on the symposium's "hybrid discourse" that combined university and community resources, expertise, and communication practices and brought together diverse voices in constructive conversation about the challenging issues surrounding E Pluribus Unum.Item At the Chariot House: a screenplay associated with Afraid of AIDS: AIDS Panic and Gay Discrimination through State of Indiana v. Herb Robbins(2024-07-31) Gackle, DaltonA screenplay centered around the State of Indiana v. Herb Robbins court case. The story includes representations of the murder of lawyer Donald Jackson by underaged sex worker Herb Robbins, the evidence collection by the police and journalists, and the trial.Item Autographs for Freedom and Reaching a New Abolitionist Audience(University of Chicago Press, 2017-01-01) McKivigan, John R.; Pattillo, Rebecca A.; History, School of Liberal ArtsScholars correctly appreciate Frederick Douglass’s novella The Heroic Slave (1853) as an important early work of African American literature and as a significant indicator of its author’s endorsement of violent tactics to end slavery in the United States.1 This essay will literally step back farther from the text of Douglass’s only fictional work, and examine The Heroic Slave as a component of a larger project—the gift book Autographs for Freedom—edited by Douglass and his closest ally in the early 1850s, British abolitionist Julia Griffiths. The thirty-nine pieces of short fiction, poetry, essays, and correspondence in the 263-page anthology were envisioned as tools to construct a wider and politically more potent antislavery alliance than any in which the two abolitionists had previously participated. In the diverse composition of its collection of authors and antislavery themes, Autographs for Freedom was both a cultural and political tool designed by Douglass and Griffiths to help assemble a more powerful antislavery coalition from the volume’s reading audience.Item Beth's Book: A Memoir(2022) Van Vorst Gray, Beth; Gray, Ralph D.