The Legacy of the “Cyprus Codex” (MS. Torino J.II.9): Creating New Technologies and Compositions through a Collaborative Process

dc.contributor.authorSammoutis, Evis
dc.contributor.authorSheppard Skaerved, Peter
dc.contributor.authorHsu, Timothy
dc.contributor.departmentMusic and Arts Technology, School of Engineering and Technologyen_US
dc.date.accessioned2020-02-11T18:57:10Z
dc.date.available2020-02-11T18:57:10Z
dc.date.issued2019
dc.description.abstractMS. J.II.9 (also known as the “Cyprus Codex”) is an anonymous Codex composed in the court of Nicosia in the first part of the 15th century during Cyprus’s Frankish period and the Lusignan Dynasty. It is the only known Codex of Western music in the region and one of the few exclusively French codices known from that time. Its style lies in the threshold between Ars Nova and Ars Subtilior with unique features. Composer Evis Sammoutis, violinist Peter Sheppard Skaerved and Music technology professor Timothy Hsu have built a collaboration inspired by the legacy of MS. J.II.9. This resulted in the creation of new bows and techniques of performing the violin and the creation of new compositions based both on the material from MS. J.II.9 and technological advancements.en_US
dc.eprint.versionAuthor's manuscripten_US
dc.identifier.citationSammoutis, E., Sheppard Skaerved, P., & Hsu, T. (2018). The Legacy of the “Cyprus Codex”(MS. Torino J. II. 9): Creating New Technologies and Compositions through a Collaborative Process. Circuit: musiques contemporaines, 28(2), 69-82. https://doi.org/10.7202/1051293aren_US
dc.identifier.urihttps://hdl.handle.net/1805/22068
dc.language.isoenen_US
dc.relation.isversionof10.7202/1051293aren_US
dc.relation.journalCircuiten_US
dc.rightsPublisher Policyen_US
dc.sourceAuthoren_US
dc.subjectCyprus Codexen_US
dc.subjectMS. J.II.9en_US
dc.subjectviolinen_US
dc.titleThe Legacy of the “Cyprus Codex” (MS. Torino J.II.9): Creating New Technologies and Compositions through a Collaborative Processen_US
dc.typeArticleen_US
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