Rethinking Paris Street, Rainy Day: Accordion Space
dc.contributor.author | McDaniel, Craig | |
dc.contributor.department | Herron School of Art and Design | en_US |
dc.date.accessioned | 2020-12-23T20:37:44Z | |
dc.date.available | 2020-12-23T20:37:44Z | |
dc.date.issued | 2019 | |
dc.description.abstract | This article talks about the artwork of Gustave Caillebottes Paris Street, Rainy Day. If you know Gustave Caillebottes Paris Street, Rainy Day, you'll recall one factor contributing to its stop-you-in-your-tracks effect is size. Seven feet tall and nine feet wide, the canvas appears monumental--as an oil painting--and perfectly life-size as an urban vista. The scale embraces any viewer, ushering them into its spell. The present essay argues that Paris Street, Rainy Day, completed in 1877, coincides with a decisive tipping point in cultural history. | en_US |
dc.eprint.version | Author's manuscript | en_US |
dc.identifier.citation | McDaniel, C. (2019). Rethinking Paris Street, Rainy Day: Accordion Space. The Midwest Quarterly, 60(2), 160. | en_US |
dc.identifier.uri | https://hdl.handle.net/1805/24741 | |
dc.language.iso | en | en_US |
dc.publisher | Pittsburg State University | en_US |
dc.relation.journal | The Midwest Quarterly | en_US |
dc.rights | Publisher Policy | en_US |
dc.source | Author | en_US |
dc.subject | Gustave Caillebotte | en_US |
dc.subject | Paris Street, Rainy Day | en_US |
dc.subject | cultural history | en_US |
dc.title | Rethinking Paris Street, Rainy Day: Accordion Space | en_US |
dc.type | Article | en_US |