Rethinking Paris Street, Rainy Day: Accordion Space

dc.contributor.authorMcDaniel, Craig
dc.contributor.departmentHerron School of Art and Designen_US
dc.date.accessioned2020-12-23T20:37:44Z
dc.date.available2020-12-23T20:37:44Z
dc.date.issued2019
dc.description.abstractThis article talks about the artwork of Gustave Caillebottes Paris Street, Rainy Day. If you know Gustave Caillebottes Paris Street, Rainy Day, you'll recall one factor contributing to its stop-you-in-your-tracks effect is size. Seven feet tall and nine feet wide, the canvas appears monumental--as an oil painting--and perfectly life-size as an urban vista. The scale embraces any viewer, ushering them into its spell. The present essay argues that Paris Street, Rainy Day, completed in 1877, coincides with a decisive tipping point in cultural history.en_US
dc.eprint.versionAuthor's manuscripten_US
dc.identifier.citationMcDaniel, C. (2019). Rethinking Paris Street, Rainy Day: Accordion Space. The Midwest Quarterly, 60(2), 160.en_US
dc.identifier.urihttps://hdl.handle.net/1805/24741
dc.language.isoenen_US
dc.publisherPittsburg State Universityen_US
dc.relation.journalThe Midwest Quarterlyen_US
dc.rightsPublisher Policyen_US
dc.sourceAuthoren_US
dc.subjectGustave Caillebotteen_US
dc.subjectParis Street, Rainy Dayen_US
dc.subjectcultural historyen_US
dc.titleRethinking Paris Street, Rainy Day: Accordion Spaceen_US
dc.typeArticleen_US
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