Browsing by Subject "black women"

Now showing 1 - 3 of 3
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    Black Women and Contemporary Media: The Struggle to Self-Define Black Womanhood
    (2010-02-26T18:47:24Z) Mayo, Tilicia L.; Dobris, Catherine A.; Sandwina, Ronald M.; White-Mills, Kim D.; Sheeler, Kristina H.
    This thesis sought to understand the messages Black women receive from contemporary images and how these messages may be used to help them develop a sense of womanhood. The framework for the analysis used in this research lies within the feminist standpoint theory and Black feminist thought. The interviews conducted for this research helped to reveal that young Black women recognize patterns within the images of Black women in contemporary media. The images help them to understand the treatment of Black women and about the Black women they want to be.
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    Constructing Radical Black Female Subjectivities: Survival Pimping in Austin Clarke’s The Polished Hoe
    (Project Muse, 2015) Springer, Jennifer Thorington; Department of English, School of Liberal Arts
    This essay seeks to add to progressive scholarship that probes the ways in which black women create safe spaces to unapologetically accept their sexuality and the sexual agency that evolves as a result while simultaneously acknowledging the fluidity of feminine identities. In what follows, the author begin by describing the implications of what bell hooks calls "radical black subjectivity" for the sexual agency that may be secured by women who participate in sex work. Second, she examines how Clarke's protagonists, Ma and Mary, evolve and emerge as sexual agents rather than mere victims in their quest for personhood. Their reinvention of self surpasses personal subjectivity and serves as a testament to the struggles of women like themselves who resist from the margins, validating such experiences as worthy of scholarly critique. The third part of the essay challenges the simplistic and troubling idea that women who participate in sex work are merely objects -- objectified by men or self-objectified.
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    Gospel of Giving: The Philanthropy of Madam C.J. Walker, 1867-1919
    (2014-10-08) Freeman, Tyrone McKinley; Robertson, Nancy Marie, 1956-; Walton, Andrea; Labode, Modupe; Gasman, Marybeth
    This dissertation employs a historical approach to the philanthropic activities of Madam C.J. Walker, an African American female entrepreneur who built an international beauty culture company that employed thousands of people, primarily black women, and generated hundreds of thousands of dollars in annual revenues during the Jim Crow era. The field of philanthropic studies has recognized Walker as a philanthropist, but has not effectively accounted for how her story challenges conventional understandings of philanthropy. I use historical methods and archival research to determine what motivated and constituted Walker’s philanthropic giving to arrive at three main conclusions. First, Walker’s philanthropy can be best understood as emerging out of a moral imagination forged by her experiences as a poor, black, female migrant in St. Louis, Missouri during the late 1800s dependent upon a robust philanthropic infrastructure of black civil society institutions and individuals who cared for and mentored her through the most difficult period of her life. Second, she created and operated her company to pursue commercial and philanthropic goals concurrently by improving black women’s personal hygiene and appearance; increasing their access to vocational education, beauty culture careers, and financial independence; and promoting social bonding and activism through associationalism, and, later, fraternal ritual. Third, during her lifetime and through her estate, Walker deployed a diverse array of philanthropic resources to fund African American social service and educational needs in networks with other black women. Her giving positions her philanthropy as simultaneously distinct from the dominant paradigm of wealthy whites and as shared with that of other African Americans. Her approach thus ran counter to the racialized and gendered models of giving by the rich white male and female philanthropists of her era, while being representative of black women’s norms of giving.