IU Indianapolis ScholarWorks :: Browsing by Author "Labode, Modupe"

Browsing by Author "Labode, Modupe"

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Art, Race, Space
(Office of the Vice Chancellor for Research, 2013-04-05) Kryder-Reid, Elizabeth; Labode, Modupe; Holzman, Laura M.; Mullins, Paul R.
Art, Race, Space is a collaborative research project that takes as its starting point E Pluribus Unum, a public art installation proposed for the Indianapolis Culture Trail by renowned artist Fred Wilson that was cancelled in 2011 due to controversy surrounding Wilson’s appropriation of a freed slave figure from the Soldiers and Sailors Monument. Art, Race, Space” goes beyond examining the visual legacies of racial bondage to explore how the public responses to sculptures, memorials, and archaeology reveal our society’s faultlines of race and inequality. Building on the ideas about race, class, visual culture, and democratic debate that emerge from the Indianapolis project, the faculty have designed a multifaceted program to advance scholarship and promote civic dialogue about these significant issues. The faculty members organized an interdisciplinary symposium in January, 2013. Supported by an IAHI grant, the symposium explored the complicated relationships between art, race, and civic space with presentations by Wilson, community representatives who supported and opposed the sculpture, and scholars from a variety of disciplines who examined historical and cultural contexts of the controversy that had revealed Indianapolis’ longstanding racial and class tensions. The dialogue was expanded with the presentation of historical and contemporary examples from other parts of the United States. In order to encourage public dialogue, the symposium provided opportunities for audience members and presenters to engage in conversations, and it deployed social media (Twitter and Facebook) to encourage broader participation. The project's goal is to further scholarship and encourage public conversation on race and materiality. To this end the faculty have created a website, a Facebook page, Twitter account, and are working on an open-access curriculum to support dialogue in schools and informal learning settings about the complex issues of art, race, and representation. The faculty are also collaborating on academic publications, including selected proceedings and an article on the symposium's "hybrid discourse" that combined university and community resources, expertise, and communication practices and brought together diverse voices in constructive conversation about the challenging issues surrounding E Pluribus Unum.
"Back to the land and all its beauty" : managing cultural resources, natural resources, and wilderness on North Manitou Island, Sleeping Bear Dunes National Lakeshore, Michigan
(2014) Fredericks, Katelyn V.; Scarpino, Philip V.; Shrum, Rebecca K.; Labode, Modupe
This thesis focuses on the history of human impact on North Manitou Island, Michigan, the management of natural and cultural resources on the island by Sleeping Bear Dunes National Lakeshore, and the often conflicting beliefs and attitudes about wilderness and cultural resources that influenced (and continue to influence) management of the island by Sleeping Bear’s administrators.
The Battle Over A Black YMCA and Its Inner-City Community: The Fall Creek Parkway YMCA As A Lens On Indianapolis’ Urban Revitalization and School Desegregation, 1959-2003
(2014) Burlock, Melissa Grace; Scarpino, Philip V.; Robertson, Nancy Marie, 1956-; Labode, Modupe
The narrative of the Fall Creek Parkway YMCA is central to the record of the historically black community northwest of downtown Indianapolis, which was established in the early 1900s, as well as reflective of the urban revitalization projects and demographic fluxes that changed this community beginning in the 1960s. This is because the conflict between administrators of the Fall Creek YMCA branch and Greater Indianapolis YMCA or Metropolitan YMCA over the viability of the branch at 10th Street and Indiana Avenue was a microcosm of the conflict between community and city leaders over the necessity of large-scale forces. This thesis specifically examines the large-scale forces of urban revitalization, defined in the study as the city’s implementation of construction projects in Indianapolis’ downtown area, and school desegregation, which was the focus of a federal court case that affected Indianapolis Public Schools. Delineating the contested visions held by Fall Creek and Metropolitan YMCA administrators about how the Fall Creek YMCA should have functioned within an environment changed by urban revitalization and school desegregation is crucial to understanding the controversies that surrounded major construction projects and desegregation measures that took place in the downtown area of Indianapolis during the late twentieth century. The study therefore understands the conflict between the Metropolitan and Fall Creek YMCAs over targeted membership groups and autonomy as a reflection of changes in the branch’s surrounding area. Moreover, the study utilizes such conflict as a lens to the larger conflict that took place in Indianapolis between the agents of citywide urban revitalization plans and community leaders who opposed the implementation of these plans, as well as school desegregation measures, at the expense of the historically black community located in the near-downtown area of the city. This thesis is informed and humanized, respectively, by archival research and oral history interviews with individuals who were involved in either the administration or advocacy of the Fall Creek YMCA between 1971 and 2003.
Consuming Lines of Difference: The Politics of Wealth and Poverty along the Color Line
(2011) Mullins, Paul R.; Labode, Modupe; Jones, Lewis C.; Essex, Michael E.; Kruse, Alex M.; Muncy, G. Brandon
Commentators on African American life have often focused on poverty, evaded African American wealth, and ignored the ways genteel affluence and impoverishment were constructed along turn-of-the-century color lines. Documentary research and archaeology at the Madam CJ Walker home in Indianapolis, Indiana illuminates how the continuum of wealth and poverty was defined and negotiated by one of African America’s wealthiest early 20th century entrepreneurs. The project provides an opportunity to compare the ways in which wealth was defined and experienced along the color line in the early 20th century and how such notions of Black affluence shaped racialized definitions of poverty and materiality
Gospel of Giving: The Philanthropy of Madam C.J. Walker, 1867-1919
(2014-10-08) Freeman, Tyrone McKinley; Robertson, Nancy Marie, 1956-; Walton, Andrea; Labode, Modupe; Gasman, Marybeth
This dissertation employs a historical approach to the philanthropic activities of Madam C.J. Walker, an African American female entrepreneur who built an international beauty culture company that employed thousands of people, primarily black women, and generated hundreds of thousands of dollars in annual revenues during the Jim Crow era. The field of philanthropic studies has recognized Walker as a philanthropist, but has not effectively accounted for how her story challenges conventional understandings of philanthropy. I use historical methods and archival research to determine what motivated and constituted Walker’s philanthropic giving to arrive at three main conclusions. First, Walker’s philanthropy can be best understood as emerging out of a moral imagination forged by her experiences as a poor, black, female migrant in St. Louis, Missouri during the late 1800s dependent upon a robust philanthropic infrastructure of black civil society institutions and individuals who cared for and mentored her through the most difficult period of her life. Second, she created and operated her company to pursue commercial and philanthropic goals concurrently by improving black women’s personal hygiene and appearance; increasing their access to vocational education, beauty culture careers, and financial independence; and promoting social bonding and activism through associationalism, and, later, fraternal ritual. Third, during her lifetime and through her estate, Walker deployed a diverse array of philanthropic resources to fund African American social service and educational needs in networks with other black women. Her giving positions her philanthropy as simultaneously distinct from the dominant paradigm of wealthy whites and as shared with that of other African Americans. Her approach thus ran counter to the racialized and gendered models of giving by the rich white male and female philanthropists of her era, while being representative of black women’s norms of giving.
The Guantánamo Public Memory Project: Exploring the Pedagogy of the Curatorial Process
(Office of the Vice Chancellor for Research, 2013-04-05) Labode, Modupe; Kryder-Reid, Elizabeth
In fall semester 2012, two graduate classes in IUPUI’s Museum Studies Program participated in the Guantánamo Public Memory Project (GPMP). Each produced digital products and a panel for the GPMP’s traveling exhibition about the history of the United States’ relationship with the Guantánamo Naval Base in Cuba. This exhibition is the product of a collaboration among 11 universities. The class “Introduction to Museum Studies” is required for all incoming graduate students in the Museum Studies program, produced an exhibition panel on “The Arts of Detention” as a semester-long project within the introduction to museum history, theory, and ethics.. The “Guantánamo Project” class focused wholly on the GPMP and was comprised of students in the Museum Studies and Public History programs. In this poster, the class instructors will compare and contrast how students in the classes learned and applied the basic curatorial processes of creating an exhibition—research, interpretation, writing, image selection. The classroom products that will be considered include the exhibition panel, blog entries, digital projects, and student presentations at the December 2012 “Why Guantánamo” conference. The School of Liberal Arts student evaluations and the Museum Studies programs’ evaluations will be used to assess student perceptions and learning outcomes. Although many have advocated using exhibitions as a form of classroom practice, there is relatively little scholarship in this area. This poster will contribute to that scholarship.
Guest Editor’s Introduction
(Indiana University, 2014) Labode, Modupe; Program of Museum Studies, School of Liberal Arts
How America Remembers: Analysis of the Academic Interpretation and Public Memory of the Battle of Tippecanoe
(2011) Abercrombie, Brent S.; Scarpino, Philip V.; Labode, Modupe; Wokeck, Marianne Sophia
The Battle of Tippecanoe marked the turning point in relations between Anglo/American and Native American cultures, whose incompatible ways of understanding and living on the land and religious views made co-existence improbable. The battle also served as a last ditch effort by young, desperate warriors following the orders of a Prophet whose promises of invincibility and dominance proved untrue. The victory at Tippecanoe, and subsequent success during the War of 1812, strengthened the military prowess and popularity of the battle’s commander William Henry Harrison and his men. Overtime, the legacy of Harrison, his men, and Battle of Tippecanoe grew in significance. This thesis is an examination of the academic interpretation and public memory of the Battle of Tippecanoe. Until the cultural history movement by scholars in the mid-twentieth century, historical interpretation and public memory mirrored one another in the remembrance of the battle. As historians aimed to provide a more balanced and nuanced understanding of the Battle of Tippecanoe, the public memory of the battle remained entrenched in the teachings highlighted during Progressive Era. The purpose of this thesis is to trace the origins of both schools of thought as the importance and significance of the battle’s interpretation changed over the last 200 years.
Hybrid Discourse: Exploring Art, Race, and Space in Indianapolis
(Public: A Journal of Imagining America, 2013) Labode, Modupe; Holzman, Laura M.; Kryder-Reid, Elizabeth
Kindling the Fires of Patriotism: The Grand Army of the Republic, Department of Indiana, 1866-1949
(2014) Sacco, Nicholas W.; Labode, Modupe; Morgan, Anita A.; Towne, Stephen E., 1961-
Following the end of the American Civil War in 1865, thousands of Union veterans joined the Grand Army of the Republic (GAR), the largest Union veterans' fraternal organization in the United States. Upwards of 25,000 Hoosier veterans were members in the Department of Indiana by 1890, including President Benjamin Harrison and General Lew Wallace. This thesis argues that Indiana GAR members met in fraternity to share and construct memories of the Civil War that helped make sense of the past and the present. Indiana GAR members took it upon themselves after the war to act as gatekeepers of Civil War memory in the Hoosier state, publicly arguing that important values they acquired through armed conflict—obedience to authority, duty, selflessness, honor, and love of country—were losing relevance in an increasingly industrialized society that seemingly valued selfishness, materialism, and political radicalism. This thesis explores the creation of Civil War memories and GAR identity, the historical origins of Memorial Day in Indiana, and the Indiana GAR's struggle to incorporate ideals of "patriotic instruction" in public school history classrooms throughout the state.

Browsing by Author "Labode, Modupe"

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