PERSONAL PROSTHESIS
| dc.contributor.advisor | Tennant, Phil | |
| dc.contributor.advisor | Robinson, Cory | |
| dc.contributor.advisor | Baker, Lesley | |
| dc.contributor.author | Ross, Edward | |
| dc.date.accessioned | 2011-11-02T18:30:24Z | |
| dc.date.available | 2011-11-02T18:30:24Z | |
| dc.date.issued | 2010-05 | |
| dc.degree.date | 2010 | en_US |
| dc.degree.grantor | Indiana University | en_US |
| dc.degree.level | M.F.A. | en_US |
| dc.description.abstract | There is truth and inherent beauty in incomplete thoughts and half lived ideas. Muddling through the nature of aesthetics is enough to support multiple bodies of work. Add to that a rich historical tradition based in craft, and you will find not only a complex set of ideas and contradictions, but also a sense of pride mixed with resentment. At the heart of the matter, creativity and curiosity remain the main motivational factors for approaching each day with a desire to make and to work with ones hands. | en_US |
| dc.identifier.uri | https://hdl.handle.net/1805/2688 | |
| dc.language.iso | en | en_US |
| dc.subject | Furniture design | en_US |
| dc.title | PERSONAL PROSTHESIS | en_US |