Albrecht Dürer: changes in his artwork during the Reformation

dc.contributor.authorSchendel, Tory L.
dc.date.accessioned2015-09-22T18:58:54Z
dc.date.available2015-09-22T18:58:54Z
dc.date.issued2013-04-05
dc.descriptionposter abstracten_US
dc.description.abstractThe research conducted is to explain the stylistic changes that occurred in Albrecht Dürer’s art during the transitioning period from medieval to Renaissance. By acquiring Dürer’s Nachlass [private diary] from the IU Lily Library and reading literature from the top medieval and Renaissance specialists, such as David Price, Andrew Morrall, and Erwin Panofsky, the influence stemmed from Dürer’s new found faith in Lutheranism. No longer did Dürer focus solely on monograms, he introduced the art of triptychs. Studies believe that Dürer only created triptychs while working in Giovanni Bellini’s workshop, but this study allots reasoning to the Reformation.en_US
dc.identifier.citationSchendel, Tory L. (2013, April 5). Albrecht Dürer: changes in his artwork during the Reformation. . Poster session presented at IUPUI Research Day 2013, Indianapolis, Indiana.en_US
dc.identifier.urihttps://hdl.handle.net/1805/7022
dc.language.isoen_USen_US
dc.publisherOffice of the Vice Chancellor for Researchen_US
dc.subjectAlbrecht Düreren_US
dc.subjectReformationen_US
dc.subjectLutheranismen_US
dc.subjectmonogramsen_US
dc.subjecttriptychsen_US
dc.subjectGiovanni Bellinien_US
dc.titleAlbrecht Dürer: changes in his artwork during the Reformationen_US
dc.typePosteren_US
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