entwine

dc.contributor.advisorHull, Greg
dc.contributor.authorBielicki, Kevin
dc.date.accessioned2017-10-16T16:24:26Z
dc.date.available2017-10-16T16:24:26Z
dc.date.issued2017
dc.degree.date2017en_US
dc.degree.grantorIndiana Universityen_US
dc.degree.levelM.F.A.en_US
dc.description.abstractKevin Bielicki's work investigates intersections and boundaries between painting and sculpture. His work often exists on the wall, but maintains a visual and physical connection to the space occupied by the viewer. Compositionally, his ribbon-like forms use repetition as a method of expressing movement and the passage of time. The modular nature of these pieces allows them to be reinstalled in different configurations that respond to each new space they occupy. Kevin relates this method of working with something similar to gestural painting in abstract expressionism. He also sees these works as organic responses to the spaces his work inhabits. Drawing from this personal experience working with Bonsai, he imagines the qualities of each space influencing the growth and composition his sculptural forms take.en_US
dc.identifier.urihttps://hdl.handle.net/1805/14284
dc.language.isoenen_US
dc.subjectSite specific sculptureen_US
dc.subjectWood sculptureen_US
dc.subjectInstallationen_US
dc.subjectTime-based arten_US
dc.subjectProcess arten_US
dc.subjectPost-minimalen_US
dc.subjectNature based sculptureen_US
dc.titleentwineen_US
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