Shadows of the Ravine: Mortality-Themed Discards from Bradbury's Illinois Novels

Abstract

This thesis offers a focused examination of thematically-related story-chapters that Ray Bradbury originally intended for his first novel concept—Summer Morning, Summer Night, a book set in the vivid memories of his own small-town Midwest childhood. The stories at the heart of this thesis were discarded from the project (often referred to by Bradbury as the “Illinois novel”) by the time that he published a portion of the original project as Dandelion Wine in 1957. As that novelized story cycle is perhaps the best-known of all Bradbury’s “Green Town” books, I intend to use it as a springboard for identifying and examining those stories that were discarded, left unfinished, or eventually published as stand-alone tales in other outlets. Since all of these stories were eliminated before Dandelion Wine emerged as the first published portion of the larger Illinois novel, I will further explore how their hypothetical presence or actual absence may have affected Dandelion Wine as a whole, from inception and development to publication and popular reception, as well as investigate what these tales may reveal about the evolution of Bradbury as a writer.