Get involved : stories of the Caribbean postcolonial black middle class and the development of civil society

dc.contributor.advisorStanfield II., John H.
dc.contributor.advisorSpringer, Jennifer Thorington
dc.contributor.authorWilliams-Pulfer, Kim N.
dc.contributor.otherBenjamin, Lehn
dc.contributor.otherSteensland, Brian
dc.date.accessioned2018-08-29T18:30:29Z
dc.date.available2018-08-29T18:30:29Z
dc.date.issued2018-03-07
dc.degree.date2018en_US
dc.degree.disciplineLilly Family School of Philanthropy
dc.degree.grantorIndiana Universityen_US
dc.degree.levelPh.D.en_US
dc.descriptionIndiana University-Purdue University Indianapolis (IUPUI)en_US
dc.description.abstractThe main research question of this project is: How do the narratives of Caribbean black middle class civil society within the bounds of the “post-postcolonial” state, explain the evolving yet current environment of local and postcolonial civil society development? Using the Bahamas as a case, this project explores the historical, political, cultural, and social conditions that supported the development of civil society within the context of a postcolonial society. Furthermore, an investigation via in-depth interviews, participation observation, archival, and contemporary document analysis contextualizes the present-day work of civil society leaders in the Bahamas. Methodologically, the project employs narrative analysis to uncover the perspectives, voices, and practices of black middle-class Bahamian civil society offering an unfolding, dynamic, and nuanced approach for understanding the historical legacies and contemporary structure of local civil society and philanthropy. The study focuses on three primary forms of narratives. These include the narratives of the past (historical), the narratives of expressive and aesthetic cultural practices, and the narratives of lived experience. The project locates that the development of civil society is linked to historical and cultural forces. The findings show that that the narratives of history, social, and artistic development foregrounds a hybrid model of civil society development drawn from the experience of slavery, colonialism, decolonization, as well as the emerging structures related to economic and political globalization. Furthermore, observed through resilience narratives, local civil society leaders negotiate the boundaries of hybridity in their understanding of their personal, social, and professional identities as well as the way in which they engage government, the public, as well as local and international funders.en_US
dc.identifier.doi10.7912/C2NM1X
dc.identifier.urihttps://hdl.handle.net/1805/17234
dc.identifier.urihttps://doi.org/10.7912/C2NM1X
dc.identifier.urihttp://dx.doi.org/10.7912/C2/631
dc.language.isoen_USen_US
dc.subjectcivil societyen_US
dc.subjectclass identityen_US
dc.subjectnarrative methodologyen_US
dc.subjectphilanthropic studiesen_US
dc.subjectracial identityen_US
dc.subjectsocial identityen_US
dc.titleGet involved : stories of the Caribbean postcolonial black middle class and the development of civil societyen_US
dc.typeDissertation
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