Browsing by Author "Shepherd, Susan Carol"

Now showing 1 - 4 of 4
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    Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration
    (2011-06-03) Tressler, Gretchen E.; Springer, Jennifer Thorington; Kubitschek, Missy Dehn; Shepherd, Susan Carol
    Dance appears often in Anglophone Caribbean literature, usually when a character chooses to celebrate and emphasize her/his freedom from the physical, emotional, and societal constraints that normally keep the body in check. This study examines how a character's political consciousness often emerges in chorus with aesthetic bodily movement and analyzes the symbolic force and political significance of Caribbean dance--both celebratory (as in Carnival) and defensive (as in warrior dances). Furthermore, this study observes how the weight of Western views on dance influences Caribbean transmutations and translations of cultural behavior, ritual acts, and spontaneous movement. The novels studied include Samuel Selvon's "The Lonely Londoners" (1956), Earl Lovelace's "The Dragon Can't Dance" (1979), Paule Marshall's "Praisesong for the Widow" (1983), and Marie-Elena John's "Unburnable" (2006).
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    Racey Bear's Legacy: Metaphor as a Bridge to Children's Understanding and Expression of Abstract Concepts
    (2010-07-19T20:04:45Z) Worthington, Dennis Paul; Shepherd, Susan Carol; DiCamilla, Frederick J.; Eller, Jonathan R., 1952-
    Over the course of five weeks, three children were engaged in various exercises involving the observance and creation of metaphors. Before and after the exercises, the children were asked a series of questions designed to determine their understanding of and ability to express their understanding of five abstract concepts. It was found that working with metaphor enhanced their abilities to grasp the concepts, in various and surprising ways. It was also found that their abilities to express their understanding was enhanced subtly.
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    Signifying in Incidents in the Life of a Slave Girl: Harriet Jacobs' Use of African American English
    (2010-07-19T19:26:49Z) Reynolds, Diana Dial; Shepherd, Susan Carol; DiCamilla, Frederick J.; Fox, Stephen L.
    Research on Harriet Jacobs' slave narrative, Incidents in the Life of a Slave Girl exploded after 1981, when Professor Jean Fagin Yellin discovered textual evidence for refuting then-current claims that Lydia Maria Child was the author of this engrossing story. Child was indeed the book's editor, but Yellin discovered letters from Jacobs among the papers of abolitionist Amy Post that proved that the ex-slave was the author of her own narrative. Though the research this discovery engendered has been quite extensive, especially regarding the narrative's close adherence to the conventions of a sentimental novel, very few scholars have attempted to deal with a feature relatively unique to Jacobs" narrative: the use of African American English (AAE) in representing the speech of a number of her characters. Nor has any scholar exclusively focused on the authenticity of her representation of AAE. This paper, a first step in such an effort, demonstrates that Jacobs' use conforms to features found by linguists in their studies of contemporary AAE and Early Black English (EBE).
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    Worlds collide: integrating writing center best practices into a first year composition classroom
    (2010-07-29T18:56:53Z) Sherven, Keva N.; Fox, Stephen L.; Shepherd, Susan Carol; Hogue, Teresa Molinder
    As an undergraduate, I had the opportunity to work in the University Writing Center (UWC) at IUPUI. This opportunity influenced my life in many ways, but none more important than my teaching. Looking back on my time in the UWC, I did not realize the connection between writing centers and composition classrooms. As a graduate student, I began to read literature that defined composition classrooms and writing centers as separate worlds. However, once I was an instructor, these two worlds were seamless weaving in and out of each other to the point that I couldn’t separate them. In fact, I didn’t understand how one could. I had read literature defining composition classrooms and writing centers as different worlds but was having experiences in the classroom that contradicted this perception, so I wanted to investigate how these experiences influenced my teaching. I sought out literature that explored the writing center-composition classroom connection to look at specific elements of my teaching and how they tied to UWC practices. This case study grew out of the initial challenges I faced as a new instructor, which led me on a journey to find my own approach to teaching composition. That journey resulted in the implementation of writing center best practices, that I learned as a tutor, into my teaching philosophy, and this background equipped me to approach writing instruction as a facilitator, guiding students to become better writers.This case study examines which writing center practices, gleaned from my experiences in the UWC at IUPUI, I’ve incorporated into my classroom, why I’ve chosen these practices, and what student feedback reveals about these practices.