Browsing by Author "Robertson, Nancy Marie"

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    "Americans All?" - Messages in Miniature
    (2023-07) Bennett, Janna Merrill; Robertson, Nancy Marie; Kelly, Jason M.; Shrum, Rebecca K.
    A small white-collar project of the Works Progress Administration project called the Museum Extension Project (MEP) operated in the latter half of the 1930s in at least twenty-four states including Indiana. A product of this visual aid program was the twelve-inch miniature figure dressed in clothing to reflect periods in US history or countries or cultures throughout the world. Museum and Indiana school educators used the MEP figures, as part of a broader intercultural learning agenda, to demonstrate or encourage ethnic appreciation and inclusion, while also fostering “otherness”–all in the safety of classrooms and informal educational settings. The figures simultaneously expanded the definition of membership in a majority white cultural group by adding and validating recent white immigrants while they continued to differentiate “the other”–Black and Native Americans as well as non-European immigrants through the cultural construct of race. These miniature figures allowed students to learn about the ethnic populations of their state and made the world available to all. At the same time, they prescribed the role of “other” to Indigenous Peoples throughout the world, the inhabitants of South and Central American countries, and those perceived as “non-white” peoples in places like Palestine and Egypt. This research examines educational philosophy in the first quarter of the twentieth century combined with the material culture analysis of these figures to demonstrate how three-dimensional objects were powerful educational tools.
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    Built from Beet Sugar: Community Attachment and the Remnants of Industry
    (2024-10) Rodrigues, Nicole Nadine; Scarpino, Philip V.; Robertson, Nancy Marie; Dean, David R.
    Glendale Arizona’s original beet sugar factory, built in 1906, resides in the city’s historic downtown, defying metropolitan Phoenix’s progressive habit of tearing down historic properties. This thesis endeavors to unpack and rediscover the continuing legacy of the deindustrialized factory, and how in a vacant and seemingly abandoned state, few within the community of citizens, local governments officials, and investors advance any definite plans for renovation, rehabilitation, or even demolition. The purpose of this research is to better understand why the city of Glendale, encompassing past and present generations of residents, remains content with the now derelict state of the Beet Sugar Factory and how the city’s past, present, and future are reflected in its enduring influence. Analytical research looked to uncover how community attachment and sentimentality significantly influence the continued existence of the Beet Sugar Factory, despite the factory no longer offering any economic influence. Research into the extensive notes on beet sugar experimentation at the end of the nineteenth century and historical newspaper data provided evidence of the factory’s early success with securing investments and producing beet sugar and then the subsequent failure and slide into abandonment. Oral interviews with present government officials and residents, modern newspaper articles, and current podcasts were juxtaposed with earlier commentaries and analysis, clearly presenting a timeline of the Beet Sugar Factory’s fall from prominence to neglect while maintaining a place of sentimental reverence within the community. The outcome of this research resulted in revealing that Glendale’s beet sugar factory is a microcosm of how community sentimental attachment in an urban environment, despite decades of waning purpose and eventual decline by desertion, is the heart of preservation. In the end, community attachment within an urban environment is more important to preservation than detached criteria.
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    "Churches in the Vanguard:" Margaret Sanger and the Morality of Birth Control in the 1920s
    (2015-03-30) Maurer, Anna C.; Robertson, Nancy Marie; Cramer, Kevin; Lantzer, Jason S.
    Many religious leaders in the early 1900s were afraid of the immoral associations and repercussions of birth control. The Catholic Church and some Protestants never accepted contraception, or accepted it much later, but many mainline Protestants leaders did change their tune dramatically between the years of 1920 and 1931. This investigation seeks to understand how Margaret Sanger was able to use her rhetoric to move her reform from the leftist outskirts and decadent, sexual connotations into the mainstream of family-friendly, morally virtuous, and even conservative religious approval. Securing the approval of religious leaders subsequently provided the impetus for legal and medical acceptance by the late-1930s. Margaret Sanger used conferences, speeches, articles, her magazine (Birth Control Review), and several books to reinforce her message as she pragmatically shifted from the radical left closer to the center and conservatives. She knew the power of the churches to influence their members, and since the United States population had undeniably a Judeo-Christian base, this power could be harnessed in order to achieve success for the birth control movement, among the conservative medical and political communities and the public at large. Despite the clear consensus against birth control by all mainline Christian churches in 1920, including Roman Catholics and Protestants alike, the decade that followed would bring about a great divide that would continue to widen in successive decades. Sanger put forward many arguments in her works, but the ones which ultimately brought along the relatively conservative religious leaders were those that presented birth control not as a gender equity issue, but rather as a morally constructive reform that had the power to save and strengthen marriages; lessen prostitution and promiscuity; protect the health of women; reduce abortions, infanticide, and infant mortality; and improve the quality of life for children and families. Initially, many conservatives and religious leaders associated the birth control movement with radicals, feminists, prostitutes, and promiscuous youth, and feared contraception would lead to immorality and the deterioration of the family. Without the threat of pregnancy, conservatives feared that youth and even married adults would seize the opportunity to have sex outside of marriage. Others worried the decreasing size of families was a sign of growing selfishness and materialism. In response, Sanger promoted the movement as a way for conservatives to stop the rising divorce rates by strengthening and increasing marriages, and to improve the lives of families by humanely increasing the health and standard of living, for women and children especially. In short, she argued that birth control would not lead to deleterious consequences, but would actually improve family moral values and become an effective humanitarian reform. She recognized that both liberals and conservatives were united in hoping to strengthen the family, and so she emphasized those virtues and actively courted those same conservative religious leaders that had previously shunned birth control and the movement. Throughout the 1920s, she emphasized the ways in which birth control could strengthen marriages and improve the quality of life of women and children, and she effectively won over the relatively conservative religious leaders that she needed to bring about the movement’s public, medical, and political progress.
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    "Clean Clothes vs. Clean Water": Consumer Activism, Gender, and the Fight to Clean Up the Great Lakes, 1965-1974
    (2018-08) Scherber, Annette Mary; Scarpino, Philip V.; Shrum, Rebecca K.; Robertson, Nancy Marie
    During the late 1960s and early 1970s, the polluted Great Lakes became a central focus of the North American environmental movement. A majority of this pollution stemmed from phosphate-based laundry detergent use, which had become the primary product households used to wash fabrics after World War II. The large volume of phosphorus in these detergents discharged into the lakes caused excess growths of algae to form in waterways, which turned green and smelly. As the algae died off, it reduced the oxygen in the water, making it less habitable for fish and other aquatic life, a process known as eutrophication. As primary consumers of laundry detergents during the time period, women, particularly white, middle-class housewives in the United States and Canada, became involved in state/provincial, national, and international discussions involving ecology, water pollution, and sewage treatment alongside scientists, politicians, and government officials. Their work as volunteers, activists, and lobbyists influencing the debate and ensuing policies on how best to abate this type of pollution, known as eutrophication, has often been ignored. This thesis recognizes the work women completed encouraging the enactment of key water quality regulations and popularizing the basic tenets of environmentally-conscious consumption practices during the environmental movement in the early 1970s.
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    Conflicted Duty on the Indiana Home Front: A Family’s Civil War Story
    (2020-01) Tanzer, Anastasia; Morgan, Anita; Cramer, Kevin; Robertson, Nancy Marie
    This project looks at the Ketcham family of Indianapolis and analyzes how each member had a different sense of duty that led them to take on different activities during the Civil War. It includes both a typical thesis portion and a public history supplement that takes the form of an exhibit brief. The supplement provides an alternate means of presenting the family to the public. The Ketchams were a white, upper-class family, so although many of their ideas and activities aligned with those of others across the northern United States, in this thesis I argue that they also had a unique experience. For example, the matriarch, Jane Merrill Ketcham, chose to serve as a nurse, as did many other women, but her decision took precedence over her husband’s preference. This assertion was noteworthy because, during this time period, women were still typically expected to defer to their fathers or husbands. This conclusion, and others throughout the project, are based on an analysis of both primary and secondary sources. The main primary sources used were the letters included in the Ketcham collection at the Indiana Historical Society, which provided insight to the thoughts, opinions, and activities of most family members – some members had fewer surviving letters than others. Scholarship regarding the Civil War from national, regional, and local perspectives allowed for a fuller picture of what the prevailing views and activities were and understand how the Ketchams were either emblematic of the common experience or different from it.
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    Expanding the Narratives of Domestic Staff at Historic House Museums: A Case Study of the James Whitcomb Riley Museum Home
    (2022-10) Vorndran, Zoe; Shrum, Rebecca K.; Robertson, Nancy Marie; Kelly, Jason M.
    The James Whitcomb Riley Museum Home (JWRMH), located in Indianapolis, Indiana, is best known for interpreting the life of the famous Hoosier poet who resided at the home for the latter part of his life. The JWRMH has the opportunity to more fully incorporate the domestic staff – Katie Kindell, Dennis Ewing, and Nannie Ewing – who worked at 528 Lockerbie Street during Riley’s residence, into the story told today at the home. The JWRMH has preserved Katie Kindell’s room on the second floor of the home and the butler’s pantry next to the kitchen, places in which interpretation about the domestic staff have long been presented to visitors. Yet archival research shows that there is much more to the lives of the domestic staff than what is currently presented at the house. While Katie Kindell, the only white domestic staff member at the home, has been fairly well documented, much less was known about the home’s two Black domestic staff, Dennis Ewing and Nannie Ewing. Since Dennis Ewing and Nannie Ewing were married, a story about them being married to each other while they worked at the home has long been perpetuated. This study of the documentary record, however, has revealed that their marriage to each other occurred long after they left their employment at 528 Lockerbie Street. This study explores where this myth might have originated, why it has been perpetuated, and how Dennis Ewing and Nannie Ewing’s work and marriage history situates them into the larger story of Black Indianapolis in the early twentieth century. Additionally, exploring the ways in which architecture during the nineteenth and twentieth century isolated the domestic staff and the ways in which this has been reproduced in the site’s interpretive strategies reveals how the lives and stories of the domestic staff have been devalued. This study demonstrates that there is a great opportunity for historic institutions to expand their interpretive narratives and hopes to inspire them to be curious about all the people whose lives shaped their sites.
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    Gendered and Racialized Experiences at Central State Hospital, Indianapolis, 1877 - 1910
    (2020-12) Downey, Caitlin June; Robertson, Nancy Marie; Scarpino, Philip V.; Badertscher, Katherine; Nelson, Elizabeth Angeline
    “Gendered and Racialized Experiences at Central State Hospital, Indianapolis, 1877 – 1910” analyzes the treatment of African American patients at the now-defunct Central State Hospital in Indianapolis, Indiana, throughout the Gilded Age and Progressive Era, from the late 1870s through the 1900s. This thesis examines the impact of scientific racism and institutionalized sexism on female African American patients’ diagnoses, medical treatment, and the outcome of institutionalization through a close reading of hospital publications and a series of statistical studies of patient data. This thesis also analyzes the intersection of race and gender through the case study of one African American woman, Elizabeth Williams Furniss, who was institutionalized during the 1890s until her death in 1909. I argue that scientific racism and a deeply entrenched sexism significantly shaped the treatment of African American patients and women of all races throughout the Gilded Age and Progressive Era. Preconceived notions of race, gender, and class determined diagnoses, treatments, and treatments outcomes, without regard to individual patients’ needs. I also suggest ways for historians to identify and measure the impact of scientific racism and institutionalized sexism on African American patients in northern psychiatric institutions through statistical studies of patient data.
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    Giving among same-sex couples: the role of identity, motivations, and charitable decision-making in philanthropic engagement
    (2016-05-06) Dale, Elizabeth Jane; Mesch, Debra J.; Benjamin, Lehn M.; Burlingame, Dwight F.; Robertson, Nancy Marie
    This study investigates the philanthropic practices of same-sex couples, including their motivations for giving and how they make philanthropic decisions. Existing research has focused almost exclusively on heterosexual couples and assumes that all households are the same. Using the frameworks of the eight mechanisms of giving and social identification theory, this study investigates the role of identity in philanthropic behavior and how gender differences may be amplified among same-sex couples. Drawing on 19 semi-structured joint interviews with gay and lesbian couples in Indiana, the research uses a qualitative method to "give voice" to a marginalized population's philanthropic experiences that are little studied. The study finds participants are highly engaged in nonprofit organizations and participate in a diverse array of philanthropic behaviors. While many couples support at least one LGBT-affiliated nonprofit, giving to LGBT causes does not constitute the majority of most couples' philanthropy. Still, sexual orientation plays a significant role in motivating support for the LGBT community, for public policy changes and equal rights initiatives, and to HIV/AIDS-service organizations. Sexual orientation also determines which organizations many donors would not support. Same-sex couples also use their philanthropy as a way to support their communities at-large and be recognized by mainstream society. In terms of financial management, a majority of participant couples maintained independent financial accounts or partial pooling systems of household income, leading to more opportunities for charitable giving; at the same time, couples expressed low conflict over making giving decisions and supported one another's interests. This study provides scholars and practitioners insights into the complex interactions of motivations, identity, and financial arrangements that underscore charitable giving, and it offers implications for nonprofit organizations and fundraisers who work with diverse populations of donors.
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    Limitations and liabilities: Flanner House, Planned Parenthood, and African American birth control in 1950s Indianapolis
    (2017-09) Brown, Rachel Christine; Robertson, Nancy Marie; Morgan, Anita; Labode, Modupe
    This thesis analyzes the relationship between Flanner House, an African American settlement house, and Planned Parenthood of Central Indiana to determine why Flanner House director Cleo Blackburn would not allow a birth control clinic to be established at the Herman G. Morgan Health Center in 1951. Juxtaposing the scholarship of African Americans and birth control with the historiography of black settlement houses leads to the conclusion that Blackburn’s refusal to add birth control to the health center’s services had little to do with the black Indianapolis community’s opinions on birth control; instead, Flanner House was confined by conservative limitations imposed on it by white funders and organizations. The thesis examines the success of Blackburn and Freeman B. Ransom, Indianapolis’s powerful black leaders, in working within the system of limitations to establish the Morgan Health Center in 1947. Ransom and Blackburn received monetary support from the United Fund, the Indianapolis Foundation, and the U.S. Children’s Bureau, which stationed one of its physicians, Walter H. Maddux, in Indianapolis. The Center also worked as a part of the Indianapolis City Board of Health’s public health program. These organizations and individuals did not support birth control at this time and would greatly influence Blackburn’s decision about providing contraceptives. In 1951, Planned Parenthood approached Blackburn about adding birth control to the services at Morgan Health Center. Blackburn refused, citing the Catholic influence on the Flanner House board. While acknowledging the anti-birth control stance of Indianapolis Catholics, the thesis focuses on other factors that contributed to Blackburn’s decision and argues that the position of Flanner House as a black organization funded by conservative white organizations had more impact than any religious sentiment; birth control would have been a liability for the Morgan Health Center as adding contraceptives could have threatened the funding the Center needed in order to serve the African American community. Finally, the position of Planned Parenthood and Flanner House as subordinate organizations operating within the limitations of Indianapolis society are compared and found to be similar.
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    "A Little Deviltry": Gilded Age Celebrity and William Merritt Chase's Tenth Street Studio as Advertisement
    (2021-04) Weiss Simins, Jill Paige; Robertson, Nancy Marie; Kelly, Jason M.; Kinsman, R. Patrick
    In the late nineteenth century, the American art world was highly competitive as artists vied with each other and more established European artists for a small pool of patrons. A few recognized the power of mass media to create celebrity and financial success. They tread carefully into the arena of self-promotion, striking a delicate balance between advertising and maintaining Gilded Age ideas about the purely artistic motivations of a great painter. In 1878, the largely unknown artist William Merritt Chase arrived in New York with the idea that an elaborately decorated studio could potentially make his name in the art world. The plan worked. His Tenth Street Studio was a harmony of color created through his masterful arrangement of bric-a-brac and art objects. It soon attracted media coverage and public attention. Chase quickly realized, however, that the writers who gushed over his studio were more interested in the space than the artist who created it. While the studio had achieved celebrity, its creator had not. In order to attract patrons, Chase needed to garner press coverage of the studio that would refer back to himself as the artist. His solution was a series of paintings of the studio interior itself. Chase depicted wealthy visitors looking at prints, conferring with the artist, even contemplating a purchase of work right off the walls – messages intended to advertise his availability to these potential patrons. These painted “advertisements,” created in the 1880s, redirected public attention from the studio to its creator and solidified his celebrity. In 1890, Chase painted one of the most famous events to ever occur at the Tenth Street Studio – the performance of the Spanish dancer known as the Carmencita. While encapsulating the bohemian atmosphere of the studio, Chase’s portrait of the dancer displayed no trace of the studio or its contents, only a plain muted background. He no longer needed to advertise himself as artist-for-hire because he had already succeeded in this endeavor. His painted studio advertisements had worked. Chase was a bona fide Gilded Age celebrity and a permanent addition to the canon of great American artists.