Browsing by Author "Kovacik, Karen, 1959-"

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    At the center of American modernism: Lola Ridge's politics, poetics, and publishing
    (2008-09-23T18:18:47Z) Wheeler, Belinda; Kovacik, Karen, 1959-; Schultz, Jane E.; Marvin, Thomas F.
    Although many of Lola Ridge's poems champion the causes of minorities and the disenfranchised, it is too easy to state that politics were the sole reason for her neglect. A simple look at well-known female poets who often wrote about social or political issues during Ridge's lifetime, such as Edna St. Vincent Millay and Muriel Rukeyser, weakens such a claim. Furthermore, Ridge's five books of poetry illustrate that many of her poems focused on themes beyond the political or social. The decisions by critics to focus on selections of Ridge's poems that do not display her ability to employ multiple aesthetics in her poetry have caused them to present her work one-dimensionally. Likewise, politically motivated critics often overlook aesthetic experiments that poets like Ridge employ in their poetry. Few poets during Ridge's time made use of such drastically varied styles, and because her work resists easy categorization (as either traditional or avant-garde), her poetry has largely gone unnoticed by modern scholars. Chapter two of my thesis focuses on a selection Ridge's social and political poems and highlights how Ridge's social poetry coupled with the multiple aesthetics she employed has played a part in her critical neglect. My findings will open up the discussion of Ridge's poetry and situate her work both politically and aesthetically, something no critic has yet attempted. Chapter three examines Ridge’s role as editor of Modern School, Others and Broom. Ridge's work for these magazines, particularly Others and Broom, places her at the center of American modernism. My examination of Ridge's social poetry and her role as editor for two leading literary magazines, in conjunction with her use of multiple aesthetics, will build a strong case for why her work deserves to be recovered.
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    Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change
    (2010-07-19T18:37:40Z) Kyser, Tiffany S.; Kovacik, Karen, 1959-; Brand, Peggy Zeglin; Henry, Ronda C.
    My thesis examines the ways in which female performance poets deliver their messages and how those messages inspire, affirm, and encourage their audiences. From the traditions of outsider art—Beat poetry, feminist poetry, jazz, folk, punk, and rap—feminist performance poets choose the public sphere as a platform to witness to social injustices. In naming inequality, these poets challenge patriarchal foundations of gender roles, question academia’s criteria as to what constitutes “good” poetry, and expose social injustices. In this thesis, I examine the work of feminist performance poets Ani Difranco, Alix Olson, Andrea Gibson, Ursula Rucker, and Jessica Care Moore as examples of a new way of reading. Their work is significant in that they continue the tradition of feminist poetry by challenging the patriarchal status quo through a re-socializing and accessible style. Their work allows audiences to commune together in shared experience and promotes social change by demystifying cultural norms and gender codes in order to expose the exclusivity in patriarchal ideologies. These poets draw on a woman-centered spirituality, subvert misogynistic feminine archetypes, pay homage to ancestors and foremothers, and address issues of the body—naming oppression yet making room for pleasure.
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    Women Like and Unlike Us: A Literary Analysis of the Relationships Between Immigrant Mothers and Their Bicultural Daughters
    (2010-08-31T18:29:19Z) Yalimaiwai, Davinia; Kovacik, Karen, 1959-; Fox, Stephen L.; Rebein, Robert, 1964-
    The analytical and creative chapters of my thesis display the best and the worst of bicultural daughters and their mothers as writers represent this relationship in short stories. Throughout the analytical chapters, I show that the through their fiction these writers help us understand that the bicultural daughter/immigrant mother relationship not only is affected by general feelings of matrophobia – as Adrienne Rich points out – but also by different pressures and paradigms that can only be experienced if the daughter belongs to and/or associates herself with a different culture than that of her mother. I hypothesize that the stories reflect these paradigms as usually negative because the pressures from both “American” society and the immigrant mother are often so great that the bicultural daughter cannot embrace either one fully. However, with the adverse feelings from both mother and daughter, comes a realization from both that neither will succeed in dominating the other. Once this is established, both mother and daughter will either reach a consensual agreement to disagree, or will continue having a hostile relationship. By including my own short stories in context with the analyses done for the stories by Kingston, Tan, Pietrzyk and Danticat, I hope to bring interest to this genre for further analysis on the bicultural daughter and immigrant mother relationship as depicted in short stories.