Browsing by Author "Johnson, Karen Ramsay"

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    Alzheimer's Disease Narratives and the Myth of Human Being
    (2012-12-11) Rieske, Tegan Echo; Schultz, Jane E.; Johnson, Karen Ramsay; Tilley, John J.
    The ‘loss of self’ trope is a pervasive shorthand for the prototypical process of Alzheimer's disease (AD) in the popular imagination. Turned into an effect of disease, the disappearance of the self accommodates a biomedical story of progressive deterioration and the further medicalization of AD, a process which has been storied as an organic pathology affecting the brain or, more recently, a matter of genetic calamity. This biomedical discourse of AD provides a generic framework for the disease and is reproduced in its illness narratives. The disappearance of self is a mythic element in AD narratives; it necessarily assumes the existence of a singular and coherent entity which, from the outside, can be counted as both belonging to and representing an individual person. The loss of self, as the rhetorical locus of AD narrative, limits the privatization of the experience and reinscribes cultural storylines---storylines about what it means to be a human person. The loss of self as it occurs in AD narratives functions most effectively in reasserting the presence of the human self, in contrast to an anonymous, inhuman nonself; as AD discourse details a loss of self, it necessarily follows that the thing which is lost (the self) always already existed. The private, narrative self of individual experience thus functions as proxy to a collective human identity predicated upon exceptionalism: an escape from nature and the conditions of the corporeal environment.
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    Infinite regress: the problem of womanhood in Edith Wharton's lesser-read works
    (2015-05-01) Smith, Alex; Schultz, Jane E.; Goldfarb, Nancy D.; Johnson, Karen Ramsay
    Wharton’s heroines are ordinary women who fight to secure material comfort and create selves that satisfy their emotional and sexual needs. These women often find that the two goals are mutually exclusive, since society strictly dictates appropriate behavior. This code of behavior stems from their relation to men: as objects to be won, as wives, and as mothers. In many instances, women are not even aware of their prescriptive roles and confuse their search for self with a search for security. Material comfort does not nurture Wharton’s heroines’ inner selves and they feel a metaphysical dissatisfaction, often seeking to find contentment through divorce or affairs. What they find in either case is that the cure to their ennui is not material, but mental. Wharton’s women seek a transcendent self—a self that is not dependent upon popular notions of respectability; a spiritual state that is independent from any attachment to social imperatives.
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    "Quiet as it's Kept": Secrecy and Silence in Toni Morrison's The Bluest Eye, Jazz, and Paradise
    (2011-11-18) Smith, Whitney Renee; Johnson, Karen Ramsay; Kubitschek, Missy Dehn; Eller, Jonathan R., 1952-
    Secrets and silence appear frequently in the work of Toni Morrison. In three novels, The Bluest Eye, Jazz, and Paradise, she repeats a specific phrase that acts as a signal to the reader. Morrison three times writes, “Quiet as it’s kept” in her novels to alert readers to the particular significance secrets and silence play in these novels. Morrison portrays this secrecy and silence as a barrier to building strong communities and even a strong self-identity. While the phrase appears in the same form, with each subsequent appearance, Morrison takes the idea a step further. In each novel she demonstrates how breaking the silence and refusing to keep quiet is an act of healing or salvation and she expands this healing to be increasingly inclusive. What begins as a single voice breaking the silence in The Bluest Eye becomes a group of people sharing their secrets in Jazz, and finally an entire town coming to terms with the power of speaking up. This thesis looks at the secrets and their impact on characters in each novel and explores the progression of the power in refusing to keep quiet.
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    Time skips and tralfamadorians: cultural schizophrenia and science fiction in Kurt Vonnegut's Slaughterhouse-five and The Sirens of Titan
    (2012-11-16) Gallagher, Gina Marie; Marvin, Thomas F.; Rebein, Robert, 1964-; Johnson, Karen Ramsay
    In his novels Slaughterhouse-five and The Sirens of Titan, Kurt Vonnegut explores issues of cultural identity in technologically-advanced societies post-World War II. With the rise of globalization and rapid technological advancements that occurred postwar, humans worldwide were mitigating the effects of information overload and instability in cultural identity. The influx of cultural influences that accompany a global society draws attention to the fluidity and inevitability of cultural change. A heightened awareness of cultural influences—past and present—creates anxiety for the generation living postwar and before the dawn of the Information Age. This generation suffers from “cultural schizophrenia”: a fracturing of the psyche characterized by anxiety over unstable cultural identities and agency. With the characters of Billy Pilgrim and Winston Niles Rumfoord, Vonnegut explores the different reactions to and consequences of cultural schizophrenia. His unique writing style is an effective hybrid of science fiction conventions and the complexities of human culture and society. Ultimately, Vonnegut explores the dangers of detachment and the complicated nature of agency with novels that are both innovative and accessible.